Carte-de-visite portraits of Dublin girls, late 1870s
November 25, 2012 by jacolette
19th century studio photographers often used quirky props to put their customers at their ease, however, it didn’t always work! In an attempt to occupy the patron’s hands in a natural way, Lauder used a dome top bird cage. Robinson’s choice of a tennis racket is quite telling in that the sport was increasingly fashionable during this period.
Both of the girls photographed by the Dublin studios are, at my guess in their early teens. The outfit on the girl in the Lauder photograph is a better fit and not quite so over the top as the other’s. Both have their hair swept over their ears and tied at the back, however, unlike older women, their hair remains loose and flowing.
It was often remarked that the fashions of the day resembled furniture and in the example from Robinson this is definitely true. The girl’s dress has as many frills and flounces as the open tub armchair upon which she leans! The Lauder carte is by far the more superior in terms of its quality and composition.
Both studios had a long history in Dublin. Robinson & Sons of 65 Grafton Street were established in 1853 and claimed to be photographers to the British Army. Lauder Brothers were based at 22 Westmoreland street, opposite Carlisle Bridge (O’Connell Bridge).