This pair of Northern Irish studio portraits feature two tightly laced ladies whose cinched-in waists are accentuated by belts or corsets worn as outwear. The photograph by J. Glass dates from the 1890s and shows a woman wearing an unusual leather laced belt with an attachment that looks like a telephone cord! The verso of this carte-de-visite incorporates a design which was registered by Marion and Co. in 1894. The woman’s husband wears a Union flag, demonstrating his political affiliation and loyalist leanings.
The photograph from Belfast is very similar to another image I posted about a few years back. I love her precariously balanced hat which includes a large bow and buckle feature. The high neckline accentuated with a brooch; ruched velvet bodice and puffed Juliet sleeves are typical of the time. Her tight lacing may, in fact, be part of the bodice of her dress rather than a separate guêpière or waist cincher. Whilst researching this post, I came across many phrases to describe a variety of exterior corsets, for example, corselets, Swiss waists, waspies, waist cinchers and guêpière. Fortunately, The Dreamstress site had an excellent post which clarifies the difference between some of them and which you can read here.
The firm of McBride and Co., 3 High Street, Belfast, were (see W.A. Maguire’s A Century in Focus: Photography and Photographers in the North of Ireland, 1839-1939) at this location between 1894-1901. This dates both photographs to a similar time period and indeed the women’s silhouettes are remarkably alike.